Chicana Traditions
About the Book
The first anthology to focus specifically on the topic of Chicana expressive culture, Chicana Traditions features the work of native scholars: Chicanas engaged in careers as professors and students, performing artists and folklorists, archivists and museum coordinators, and community activists.Blending narratives of personal experience with more formal, scholarly discussions, Chicana Traditions tells the insider story of a professional woman mariachi performer and traces the creation and evolution of the escaramuza charra (all-female precision riding team) within the male-dominated charreada,> or Mexican rodeo. Other essays cover the ranchera (country or rural) music of the transnational performer Lydia Mendoza, the complex crossover of Selena's Tejano music, and the bottle cap and jar lid art of Goldie Garcia.
Framed by the Chicana feminist concept of the borderlands, a formative space where cultures and identities converge, Chicana Traditions offers a lively commentary on how women continue to invent, reshape, and transcend their traditional culture.
About the Author
Norma E. Cantú is a professor emerita of English at the University of Texas at San Antonio. She is the author of Canícula: Snapshots of a Girlhood en la Frontera and coeditor of meXicana Fashions: Politics, Self-Adornment, and Identity Construction. Olga Nájera-Ramírez is a professor of anthropology at the University of California at Santa Cruz. She is the author of La Fiesta de los Tastoanes: Critical Encounters in a Mexican Festival Performance and the writer, director, and producer of the award-winning documentary La Charreada: Rodeo a la Mexicana.Reviews
Blurbs
"A fascinating read which spans the gap between Chicana literary and art criticism."--Enrique R. Lamadrid, author of Nuevo México Profundo
"Those who want to avoid the cliches of tradition vs. modernity or the implicit dichotomies set up by opposing culture to feminism will find that this rich set of essays opens the doors to a broad range of options inherent in Mexican American traditions as well as to its restraints."--Beverly Stoeltje, Indiana University
Awards
• Winner, Koppelman (Susan) Award for Best Anthology, Multi-Authored, or Edited Book in Feminist Studies in Popular Culture, 2003• Winner, Choice: Outstanding Academic Titles, 2003
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